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Attack of the Killer Mud-Puppy
a low-budget monster movie screenplay by Baron Von Bratwurst

Frick leaves the frame.

TEN-POUND CHIN

Well, there you have it folks! The National Guard is on its way. But still, there's another chapter to this story which we haven't yet covered. So let's go to our Eye in the Sky... er, I mean, let's go there now...

CUT TO:

 

ON T.V.: A CAMPGROUND - DAY

The Guy with the Ten-Pound Chin is standing amidst a bunch of eco-hippies.

TEN-POUND CHIN

Is it irony or is it just the wacky truth, people? While tens of thousands flee the peninsula, thousands more pour into the area on the hour! Their mission?... To save the killer mud-puppy! Why?... Let's ask them ourselves? You there!

(he puts his hand on a passing hippy's shoulder)

Excuse me, ummm, Dude. Can you please explain to our television audience what exactly is going on here?

HIPPY

Well, the Man is trying to exterminate the giant mud-puppy, ya know? But the Man isn't giving the mud-puppy a chance, ya know? And what if, like, what if like this mud-puppy's gotta point, ya know? Like, what if its got something to say, and what if there's something we can do? Like maybe... maybe the Man doesn't gotta go and knock this mud-puppy off... ya know?

TEN-POUND CHIN

Yes Dude, I see. But what do you and your people intend to do?

HIPPY

We'll do what we can...

TEN-POUND CHIN

There you go, folks!... Anarchy in the Pacific Northwest!... An enormous, murderous, vile salamander!... Hundreds of innocent people... butchered! Slaughtered! Maimed!... And an entourage of drugged-up fanatical eco-freaks... ready for violence! Is this the End or is this the End? Stay tuned for --

INT. CAL'S TRAILER HOME - DAY

He turns the t.v. off.

CAL

Come on. Let's go.

 

FERN

(standing up, grabbing her bag)

Where?

CAL

You said you wanted to know about Waka-waka-waka-wakesh, didntchya?

FERN

Yeah.

CAL

Well, let's go then.

They leave the trailer home.

 

CUT TO:

 

EXT. AN ARMY BASE - AFTERNOON

Sheriff Frick is now Colonel Frick. He is dressed up in full National Guard regalia. Green cargo trucks rush past in the b.g.

EMMET

Gee Sheriff, I didn't know you were a Colonel also...

FRICK

Look, never end a sentence with "also." If you want to end a sentence with the idea of inclusion, use "too" instead. That's the rule. "Too." With two Os.

EMMET

Oh... okay. But who's gonna run the Sheriff's Department now that you're a Colonel?

Frick nods to the left.

 

EXT. FRICK'S COP CAR - AFTERNOON

Three RESERVES are loading Ted Nugent into the passenger seat. He is wearing a full body cast with a badge pinned to the chest.

THE NOOGE

Careful now -- I say I say I say! Easy now! I say I say I say! Whooaa baby!

EXT. TWO SHOT: EMMET AND FRICK - AFTERNOON

FRICK

It'll be a while before he plays the twelve string again. Lucky for us though he's had a lot of experience working with the Detroit police to keep kids off drugs. He'll be your new Sheriff for the time being.

EMMET

Wow! Imagine that! Alice Cooper as our new Sheriff...

FRICK

That's not Alice Cooper you rock n' roll ignoramus! I would never deputize a woman!

EMMET

Oh. Well... I guess you don't need me around anymore. You've got hundreds of flunkies now...

FRICK

(gazing tenderly at Emmet)

Pshaw, Deputy! You know... when a man gets to my age, he likes things to be ordered. Regular. Secure... if you know what I mean. A man likes to get up in the morning and see the same face. A man attaches himself to others. A man forms bonds...

EMMET

(blushing)

Gosh Sheriff... I mean... Colonel...

FRICK

(continuing monologue)

-- and it doesn't matter how trivial these bonds are... and it doesn't matter how unhealthy these relationships are either. Because the point is, well... to connect. To connect with what you've got... with what you've been given. Men bleed, Emmet. Men bleed...

EMMET

Can I get you some crullers Colonel?

 

FRICK

Why thank you Deputy. But do you know what I really want?

EMMET

I think I'm starting to catch on...

FRICK

(suddenly getting very aggressive)

Guns! Tanks! Bazookas! Bombs! Mustard gas! Trucks! Give me trucks! Trucks of men! Furious men! And Bombs! Give me! Give me! GIVE ME!

FRICK'S FACE

His eyes are bulging, spittle forms on his lips. He breathes like a fiend. Hold.

 

CUT TO:

 

EXT. HOH INDIAN RESERVATION - AFTERNOON

Cal and Fern drive up in Fern's car and get out. Native American CHILDREN are playing in the dirt. There are junk cars all over the place, as well as plenty carvings of Sasquatch and Waka-waka-waka-wakesh cut from tree trunks. In the b.g., there are old run-down buildings.

FERN

(looking around)

Is this where you grew up?

CAL

(no enthusiasm whatsoever)

Yeah...

FERN

(looking up at a totem pole)

Is that Waka-waka-waka-wakesh?

EXT. THE TOTEM POLE - AFTERNOON

At the top, there's a carving of a mud-puppy head.

CAL (O.S.)

(sarcastically)

No. It's Donny Osmond. We were converted by the Mormons.

FERN (O.S.)

(sarcastically)

Ha ha ha.

TWO SHOT: FERN AND CAL - AFTERNOON

They face each other. Tension.

CAL

Follow me.

They head toward one of the run-down buildings.

 

INT. HOH ARCHIVES - AFTERNOON

Fern and Cal enter the building and approach a skeletal OLD MAN. Cal nods to the old man. The old man just stares straight ahead.

FERN

(very congenial, offering her hand)

Hi. I'm Fern Thoreau.

CAL

That's Chief Winamookie. He's a mummy, dummy.

FERN

Oh. Amazing work...

CAL

This is our tribal archive. This is where we keep our history. A lot of it was recorded on skins. Like that one.

He points to a painting hanging on the wall.

 

INSERT PAINTING

The painting depicts Waka-waka-waka-wakesh surrounded by the people of the clan. The people are all joining hands in order to form a human chain. On the outside of this human chain, red devils on metallic machines are trying to get to the mud-puppy. There are smokestacks on the metallic machines. The machines roll on giant cogs.

CAL (O.S.)

This painting is over two centuries old. It remembers the story of the red devils, and how they tried to get Waka-waka-waka-wakesh. My ancestors, however, stood their ground. They did what they could. The red devils couldn't break through.

FERN (O.S.)

And what about this one?

She points to an ugly devil with a fat head in the corner. This devil is cussing and spitting.

CAL (O.S.)

That's Kinamichee. Kinamichee had the sickness, he was their leader.

(a pause)

He is swearing to return one day. He is vowing to destroy Waka-waka-waka-wakesh. It is said that his will... will succeed.

TWO SHOT: FERN AND CAL

FERN

Interesting.

CAL

And look at this one.

He points at another skin.

 

INSERT PAINTING

In this painting, Waka-waka-waka-wakesh is green with red dots. Waka-waka-waka-wakesh is puking up blue bile. A Sasquatch family, however, is at the mud-puppy's side. They are bringing the mud-puppy some bundles of plants.

FERN (O.S.)

What's this supposed to mean?

CAL (O.S.)

Whatta ya mean what's this sposed to mean? It means what it means.

FERN (O.S.)

Just spell it out for me. My imagination isn't quite as vast as yours, Oh Great One.

TWO SHOT: FERN AND CAL

CAL

(exasperated)

Man, I really hate you. Okay, here it is: everything dies. Okay? That's the point. At the core of everything... death happens.

FERN

And did Waka-waka-waka-wakesh die?

CAL

Not yet.

FERN

So... you're saying that this Waka-waka-waka-wakesh is the same Waka-waka-waka-wakesh as the one out there? The one that everyone is freaking out about?

CAL

Yes.

FERN

You know Cal, that's not very likely. I mean, amphibians hibernate for a season, and then they reemerge. But you're saying that this mud-puppy has a hibernation period of... of centuries?

CAL

(with boredom)

You and your logical Science...

 

FERN

I just don't believe it. I mean, these stories are wonderful. Your history is fantastic. But they just don't make sense in the real world.

(A pause)

Anyway, I guess that's what I'm trying to do... make sense of this larval salamander for those who can't make sense of it...

CAL

It can never make sense to you. You don't have the right to try to make sense out of what we hold as important --

FERN

Don't I live on this planet too!? Don't I have some valid beliefs? Maybe you don't have the right to say I don't have the right!

CAL

(trying to control his anger)

Look... you wanted to know about Waka-waka-waka-wakesh. That's why you're here. So what else do you want?

FERN

Are these records arranged in chronological order?

CAL

(perturbed)

You mean... are they linear?

FERN

Whatever.

CAL

They're arranged by the ancestors who painted them.

FERN

(turning back toward the first painting

they looked at)

I want to see more by this guy.

INSERT PAINTING

Fern is pointing at the red devil painting.

CAL (O.S.)

Why?

FERN (O.S.)

Cuz. I have a feeling. And I never have a feeling.

CAL (O.S.)

(not very convinced)

Okay... whatever you want princess...

TWO SHOT: FERN AND CAL - AFTERNOON

He leads her over to a section of the room where there are hundreds of hanging skins.

CAL

These were all done by Snoqualmie the Old. He was a medicine man. Some say he was part trickster... but I don't know. You can go through them if you want.

FERN

(starting to browse through them)

Thanks.

CAL

(crossing his arms and settling back

against a countertop)

Go to town...

FERN

(leafing through the skins)

Hey. What's this one? And this one?

INSERT PAINTING

It's a painting of a mud-puppy, top and bottom. The organs are clearly defined.

CAL (O.S.)

Hell if I know...

She turns to the next one.

 

INSERT PAINTING

This painting shows another mud-puppy, top and bottom. The bone structure is clearly defined in this one.

She turns to the next one.

 

INSERT PAINTING

This painting shows another mud-puppy, top and bottom. There are arteries and arrows running throughout the mud-puppy's body. Symbols have been drawn all over the mud-puppy.

FERN (O.S.)

(excited)

Wow! These are maps! These are mud-puppy maps! Anatomical maps! And look at this one! All the glands are marked! Glands!

CAL (O.S.)

Oh great...

TWO SHOT: FERN AND CAL

FERN

What are these symbols? These symbols... it's like they're... like they correspond to... Chromosomes? No! They are chromosomes! Oh Wow! Cal, I need to take these! I gotta examine these! I must take a closer look!

CAL

Well... you'll probably end up with some sorta ancient curse or something. But go ahead.

FERN

(packing them up, unafraid)

If that's all I have to worry about... that's fine with me!

JEAN-JACQUES DUNGENESSE enters. Jean-Jacques is a big Hoh Indian (35 years old) dressed in blue jeans and a lumberjack shirt. He and Cal clasp hands.

JEAN-JACQUES

Cal... I figured you'd show up pretty soon

 

CAL

Yeah... they've called out the National Guard. We've got work to do Jean-Jacques.

Both men turn toward Fern. They regard her.

JEAN-JACQUES

Is she in?

CAL

I dunno.

JEAN-JACQUES

Well, figure it out. I'll go round up the guys.

Jean-Jacques leaves.

FERN

What's he talking about?... Am I in?

CAL

We do what we can.

FERN

So do I! What are you guys up to?

CAL

(after regarding her for quite a long time)

I'm a fool...

FERN

(smiling)

Yep! That's right. So... am I in then?

CAL

Like I've gotta choice...

FERN

Ha! So what do I do?

CAL

Go across the street to the store and get a dozen bottles of corn syrup.

FERN

(skeptical)

Corn syrup?

 

CAL

Just do it.

He turns his back on her and walks out of the Hoh Archives.

 

EXT. THE HOH ARCHIVES - AFTERNOON

Cal exits the building and joins Jean-Jacques, who is standing there with nine Hoh MEN (all of them in their mid 30s). Each man has a sack with him.

Fern follows Cal out with some rolled up skins, and looks at the men. The men are just as stoic as Cal has always been. They look at her with empty gazes.

FERN

(sarcastically)

Oh what a fun bunch. I can just tell... we are gonna have a blast!

She leaves the frame, off to go buy corn syrup. They watch her leave.

Jean-Jacques looks at Cal and shakes his head in pity.

Cal shrugs.

 

CUT TO:

 

EXT. A HIGHWAY - DUSK

Col. Frick and some National Guard Officers are standing in front of some orange barricades with binoculars and radios. Behind them, there are a bunch of green army trucks, IDLING. SOLDIERS mill around.

OFFICER DELTA

(speaking into a radio)

Vector 4, quadrant B! Alpha Gamma Charlie! Vector! Vector!

FRICK

Mud-puppy Vector!? Give me a Vector on that mud-puppy!

 

OFFICER DELTA

(to Frick)

Vector 4, quadrant C! Alpha Gamma Alpha Roger! F-3! Charlie!

FRICK

Good! Secure quadrant C! Stop all incoming traffic! Bring in Extermination Squad Cleveland 351! Position Hummers, ready air-support!

OFFICER DELTA

(into radio)

Vector affirmative! Mud-puppy six degrees West of Charlie Alpha Gamma Cleveland! Vector two point five quadrant C! Traffic stopped all units on red alert, SIR!

FRICK

(rubbing his palms together)

Excellent!

CUT TO:

 

EXT./INT. THROUGH WINDSHIELD OF FERN'S CAR - DUSK

Fern is driving and Cal is in the passenger seat. Jean-Jacques is in the back seat.

CAL

CAL

Now what?

FERN

It's a roadblock.

CAL

(slinking down lower in his seat)

I can see that.

EXT. FERN'S CAR - DUSK

She stops the car. There's a SOLDIER standing in the road in front of her, signaling for her to cut the engine. She cuts the engine.

The soldier approaches Fern.

 

INT. FERN'S CAR - DUSK

The soldier leans down and speaks to Fern.

SOLDIER

Sorry M'am. It's that pesky mud-puppy again. But don't worry, the National Guard is here and we've got it surrounded. This vector should be relatively secure.

FERN

(sarcastically)

Thank God!

The soldier's radio suddenly CRACKLES on.

RADIO (V.O.)

Attention Vector Charlie Alpha Gamma Six Niner! The enemy has broken through Quadrant C, Vector Vector! Extermination Squad Cleveland 351 has been wiped out! I repeat... Wiped out! Enemy now approaching Quadrant B --

SOLDIER

(terrified)

Cripes!

He takes off running for the hills. Car horns start BLARING.

 

EXT. FERN'S CAR, AND THE TWO CAMPERS BEHIND IT - DUSK

Cal opens his door, gets out, and stretches. The door behind him opens and Jean-Jacques also gets out. Then, all the doors in all three vehicles open and the rest of the Hoh men get out. Fern gets out too. They look in the direction they were driving when they were forced to stop.

 

THEIR POV

A caravan of National Guard vehicles is coming their way.

 

CUT TO:

 

EXT./INT. THROUGH WINDSHIELD OF LEAD VEHICLE - DUSK

Col. Frick and Some Officers are driving toward Fern and Cal. They are gritting their teeth and the truck is moving fast.

 

INT. LEAD VEHICLE - DUSK

FRICK

We're gonna get that sucker! It's gonna be sorry! It's gonna pay! We'll smear it from here to Timbucktoo! It's going down!

OFFICER DELTA

Roger Alpha Gamma Vector! Approaching Vector Charlie! Alpha! Beta! Niner!

FRICK

(into radio)

Hold your positions men! Stand by! Quadrant C! Vector! Vector!

OFFICER DELTA

Vector! Vector!

FRICK'S POV

Their truck is approaching the barricades. There are people behind the barricades. Frick's truck goes RUMBLING up to the people. Cal, highly noticeable, is standing there with Fern and Jean-Jacques. Frick's truck passes them.

 

INT. FRICK'S VEHICLE - DUSK

Frick turns his head swiftly, as they pass Cal. He is shocked.

FRICK

Huh!? What the --

FRICK'S FACE

His brow furrows as he strains to remember.

 

DISSOLVE TO:

 

FRICK'S FLASHBACK: INT. SHERIFF'S CAR - NIGHT

Frick and Emmet are in the cop car eating fried chicken. They are parked outside a construction site.

FRICK

(mouth full)

Yep, there just isn't any food like chicken! Pure wholesome chicken! Chicken is God's food.

EMMET

Yeah! Chicken and ham.

FRICK

Ham?

EMMET

Yeah. Ham!

FRICK

Like... a honey-baked ham?

EMMET

Yeah! Like a big old honey-baked ham just a dripping with... uhh... what do you put on ham?

FRICK

Mustard.

EMMET

Yellow mustard?

FRICK

What other color mustard is there?

EMMET

French.

FRICK

Oh yeah. French. But what color is French?

EMMET

Orange. Orange and brown. With little balls in it.

 

FRICK

Mmmmm... haaaam...

 

EMMET

Hey. There's a guy in there...

CUT TO:

 

EXT. CONSTRUCTION SITE - NIGHT

A MAN (dressed in black, with a black cap on) is sneaking through the construction site. He is carrying a gallon of gas. He passes a sign. The sign says "HOTEL CONSTRUCTION SITE. NO TRESPASSING."

INT. SHERIFF'S CAR - NIGHT

FRICK

Could it be...

EMMET

the Eco-Sneaker?...

FRICK

Yes! It is...

EMMET

the Eco-Sneaker!...

FRICK

...that infamous, notorious...

EMMET

...dirty, rotten...

FRICK

...environmentally radical...

EMMET

...eco-terrorist...

FRICK

...known for burning down...

EMMET

...hotels and motels...

FRICK

...restaurants and resorts...

EMMET

...but especially...

 

FRICK

...townhomes...

EMMET

...and condos!

FRICK

He's a measly saboteur!

EMMET

A meddling monkeywrencher!

FRICK

A menace to Society!

EMMET

And Empire!

FRICK

The Eco-Sneaker!

EMMET

The Stinking Eco-Sneaker!

Quietly, they both open their doors, and get out of the car, drawing their guns.

 

EXT. THE CONSTRUCTION SITE - NIGHT

The Eco-Sneaker is pouring gas on a pile of construction material.

 

EXT. OUTSIDE THE CONSTRUCTION SITE - NIGHT

Through the chain-link fence, Frick and Emmet can be seen pointing their guns into the construction site.

FRICK

Okay Eco-Sneaker! The gig's up! Reach for the sky!

THE ECO-SNEAKER

Slowly, he turns toward them. It is clearly Cal. Hold.

 

FRICK

He squints as if recording the details of the Eco-Sneaker's face.

 

CAL

Cal smiles a wicked grin.

 

FRICK

Frick stands tough.

 

CAL

His grin is suddenly illumed by an orange flickering light from below.

 

A MATCH

Cal is holding a lit match in his hand.

 

EMMET

Seeing this, Deputy Emmet's eyes go wide and his eyebrows rise. He has an expression on his face like he's sucking on a straw.

 

CAL

Cal SNICKERS. He tosses the match at his feet.

 

EXT. CONSTRUCTION SITE - NIGHT

The construction site ERUPTS into flames.

 

EXT. OUTSIDE THE CONSTRUCTION SITE - NIGHT

Bathed in the orange-glow of rising flames, Frick and Emmet watch the blaze manifest.

FRICK

(whispering solemnly to himself)

Eco-Sneaker, I'll get you! By Gum... I'll have your ass in a sling!...

DISSOLVE TO:

 

BACK TO SCENE: INT. LEAD VEHICLE - DUSK

Frick stares straight ahead, as if thinking. The truck is still rushing along on the highway.

OFFICER DELTA

Approaching Vector! Can I have a Vector on that Vector? Charlie Vector Alpha Gamma Roger! Requesting Vector -- Vector Quadrant Niner!...

FRICK'S POV

Through the front windshield, an eternal line of VW vans can be seen, parked on the highway. They keep passing VW vans.

FRICK

What's going on here?...

OFFICER DELTA

Vector! Alpha! Vector!... Holy Moly!

NEW POV (SPFX)

Upon the horizon, the mud-puppy rises, waggling its head in incensed fury. There is a train hanging out of its mouth. It whips the train around like a giant night-crawler. VW vans are lined up on the highway.

 

TWO SHOT: FRICK AND OFFICER DELTA

FRICK

(ordering Officer Delta)

Give the attack order! Get that slimy bastard!

OFFICER DELTA

(into radio)

Commence Operation Obliteration! Official Attack Code: Teryaki Circus Peanut Niner! All Units...

(then, as if from the musical "Hair", he sings out)

...AQUARIUS!

EXT. THE NATIONAL GUARD - DUSK

The NATIONAL GUARD (hundreds of soldiers, armed to the hilt, dressed in camouflage fatigues) charges. They answer Officer Delta together, singing out their battle-cry.

NATIONAL GUARD

AQUARIUS!!

As the National Guard charges, "THIS IS THE DAWNING OF THE AGE OF AQUARIUS" (or whatever the song is called) plays in b.g.

 

POV OF NATIONAL GUARD

As the MUSIC continues to play, as they rush across a field, they suddenly come over a hill and find a multitude of eco-hippies linking elbows.

The eco-hippies have formed a human chain.

 

ANOTHER ANGLE (SPFX)

Behind the human hippy-chain, the mud-puppy is still waggling around, messing with the Amtrack train.

 

POV OF HIPPIES

The National Guard stops charging. The MUSIC ceases.

The National Guard is confused.

 

POV OF NATIONAL GUARD

The eco-hippies start swaying from side to side, singing "WE SHALL OVERCOME."

 

INT. LEAD VEHICLE - DUSK

Frick and Officer Delta are sitting in the truck, now stationary. Over the radio, the SONG of the eco-hippies can be heard.

RADIO VOICE (V.O.)

Uhhh... Sir. We've gotta situation...

FRICK

What Now!?

RADIO VOICE (V.O.)

Hippies, Sir.

FRICK

Not to worry! I was prepared for this! Commence Operation Hose Em Down!

OFFICER DELTA

(into radio)

Commence Operation Hose Em Down! Charlie Alpha Vector! Vector Niner!...

EXT. A TANKER TRUCK - DUSK

A tanker truck pulls into the frame. There are SOLDIERS with hoses on top of the truck.

 

EXT. THE HIGHWAY - DUSK

Cal and Fern are watching from a distance.

FERN

Oh No... if they spray those people down, certain human phernomes will be agitated... and the mud-puppy will smell their fear... which in turn will excite its carnivorous amphibious instincts! Those people are sitting ducks!

EXT. THE HUMAN HIPPY-CHAIN - DUSK

The truck drives up to the eco-hippies, who are now singing "KUMBYAH." The soldiers ready their hoses. They start spraying the eco-hippies down.

 

ANOTHER ANGLE

The eco-hippies get sprayed. Nevertheless, they stand their ground and keep on SINGING.

 

THE MUD-PUPPY (SPFX) - DUSK

The mud-puppy (sniffing) smells human fraidy-phernomes.

MUD-PUPPY

(looking down, toward the source of the smell)

Mmmmmmmmmmmmm...

The mud-puppy licks its chops and starts making for the eco-hippies.

 

AN ECO-HIPPY (SPFX) - DUSK

A giant mud-puppy hand descends into the frame and pinches the hippy between two fingers. The SINGING ceases. The hippy SCREAMS. He is plucked from the earth and raised into the sky.

 

THE MUD-PUPPY (SPFX)

Opening its mouth wide, the mud-puppy lowers the still SCREAMING hippy (like an olive between two fingers) toward its gaping maw.

 

HIPPY'S POV (SPFX)

The mud-puppy's mouth is the size of a two-car garage. Within it, the hippy sees its ululating uvula.

 

CUT TO:

 

TWO SHOT: FERN AND CAL

They are watching. Cal watches seriously. Fern can't take it.

FERN

(crying out)

Noooooooo!...

She throws herself against Cal's chest. Cal wraps an arm around her and continues to watch.

 

MUD-PUPPY (SPFX) - DUSK

The mud-puppy drops the flailing hippy into its mouth and swishes it around as if testing a fine wine. The mud-puppy rolls its eyeballs toward the sky, as if contemplating the flavor of this hippie.

Then suddenly, an expression of disgust forms on the mud-puppy's face. The mud-puppy frowns, then PTEW!! -- it spits the hippy out.

 

EXT. THE HUMAN HIPPY-CHAIN - DUSK

The hippy falls in front of the chain, bounces, and lands on his butt. He looks stunned.

 

MUD-PUPPY (SPFX) - DUSK

The mud-puppy makes a big BLECHHHH! sound, turns around, and totters out of the frame.

 

EXT. THE BATTLEFIELD - DUSK

The hippies CHEER.

The National Guard CHEERS too.

 

INT. LEAD VEHICLE - DUSK

FRICK

Drat! We've been foiled!

OFFICER DELTA

(morosely)

...vector...

TWO SHOT: FERN AND CAL

Fern hugs Cal. Cal unhooks his arm from her. He seems to be averse to her touch.

CAL

(pulling away)

Let's get out of here...

DISSOLVE TO:

 

INT. CAL'S TRAILER HOME - NIGHT

Fern has the ancient mud-puppy diagrams layed out before her on the kitchen table. She also has a pile of open books and a portable computer going. Cal is kicking back on the couch.

FERN

(very seriously)

There's something here. Snoqualmie's symbols... they definitely encode some sort of genetic information... there's something about this information... there's something different about the chromosomes in Waka-waka-waka-wakesh... than in a regular mud-puppy...

CAL

(bored)

Yeah, yeah, yeah...

FERN

There's an extra element here... a trace of something water-based... H20 with a toxic content... it looks like... could it be... Acid Rain!?

CAL

Get real!

FERN

No! You get real!

CAL

Look, the reason why that mud-puppy is so huge is because it's Waka-waka-waka-wakesh, and that's the bottom line!

 

FERN

(still studying diagrams)

I'm not so sure about that anymore. True... the stories of your culture seem to have predicted the coming of this mud-puppy... but it could be coincidence. I mean, consider this as a hypothesis: it is scientifically more likely that the growth hormones of a regular mud-puppy were affected by acid rain than some sort of legendary Indian icon breaking from centuries of hibernation --

 

CAL

That's crap! Besides, what does it matter?

FERN

Well, if that mud-puppy is to be stopped, without harming it --

CAL

Why stop it? It's doing what it's sposed to be doing...

FERN

Maybe. But what right do we have to condone the destruction it's doing?

CAL

It's not destruction. It's cleaning up!

FERN

That's your opinion. But I don't agree.

CAL

Why do you think it spit that hippy out today?

FERN

That's easy... mud-puppies are averse to the taste of patchouli oil.

CAL

Geez, that's the dumbest thing I've ever heard. You're totally wrong! I'll tell you why Waka-waka-waka-wakesh spit that hippy out... Vegetarians just don't taste good.

 

FERN

Now that's the biggest pile of... that's the stupidest thing I've ever heard! That's ridiculous!

CAL

No more ridiculous than your lame-brained acid rain idea...

FERN

(starting to get more and more angry)

No Cal! Now that's crap! There's much more scientific validity to my hypothesis than there is to your conjecture --

CAL

(getting pissed off)

Scientific blather! Blah, blah, blah...

FERN

Oh yeah? Well what about your spiritual blather, huh? Waka-waka-waka-wakesh! Ancient God! Resurrection! Prophesied destruction! My butt! This isn't myth come to life Cal! This is an accident!

CAL

(coming toward her)

It is NOT!

FERN

(standing up, getting in his face)

It IS too!

CAL

IS NOT!

FERN

IS TOO!

They glare at each other breathing hard. Then suddenly, they leap at each other and kiss aggressively. And the next thing you know, they're tearing off each other's clothing. A torrid love scene ensues.

 

DISSOLVE TO:

 

INT. CAL'S BED - MIDDLE OF THE NIGHT

Cal turns on a lamp by the bed and illuminates himself as well as Fern, sleeping by his side.

CAL

Okay. Wake up.

FERN

...why?

CAL

Because... you wanted to be in...

FERN

Now?

CAL

Yes... now.

ANOTHER ANGLE

Cal gets out of bed and starts dressing. He puts on clothes that are all black.

CAL

(throwing a pile of clothes at Fern)

Hurry up. Put these on.

Fern gets out of bed.

FERN

Where are we going?

CAL

You'll find out.

CUT TO:

 

EXT. CAL'S TRAILER HOME - MIDDLE OF THE NIGHT

Fern and Cal, both dressed in black, with black caps, exit the trailer home and enter the blackness. They walk a few steps toward the two campers parked in his driveway, and then Cal KNOCKS on one of the doors.

Jean-Jacques, also dressed in black, opens the door and comes out.

JEAN-JACQUES

You ready?

CAL

Yep.

Jean-Jacques makes a NOISE that sounds like an owl hooting. The door on the other camper swings open. The Hoh men, also dressed in black, silently slink from both campers. They are each holding a bottle of corn syrup.

The last man out is carrying four bottles. He hands one to Cal, one to Jean-Jacques, and one to Fern. And then they all slink off, merging with the darkness.

 

DISSOLVE TO:

 

EXT. THE NATIONAL GUARD'S PARKING LOT - MIDDLE OF THE NIGHT

There is a sign on the barbed-wire/chain-link fence that says "FEDERAL VEHICLES. ABSOLUTELY NO TRESPASSING."

Cal and Fern and Jean-Jacques enter the frame and make their way to the fence. They grab the fence and look through it.

 

EXT. THROUGH THE FENCE - MIDDLE OF THE NIGHT

The saboteurs scope out the vehicles.

CAL

(whispering)

Looks good... the guards are all on the other side...

He takes out a pliers and starts clipping the chain-link. Jean-Jacques does the same. They create a hole in the fence.

CAL

(whispering)

Well, let's do what we can...

Jean-Jacques and Fern follow him in. Then the nine other men enter the frame and follow them through.

 

EXT. THE PARKING LOT - MIDDLE OF THE NIGHT

Twelve stealthy figures move swiftly and silently between the vehicles. Each of them grips a bottle of corn syrup.

 

EXT. THE HOOD OF A VEHICLE - MIDDLE OF THE NIGHT

One of the dark figures pops the hood and looks inside. He goes straight for the crankcase and pours a third of his corn syrup into the oil. The bottle GLUGS.

 

EXT. THE PARKING LOT - MIDDLE OF THE NIGHT

Systematically, the sneakers sneak. Hoods are popped, corn syrup is drained, hoods are quietly shut.

 

DISSOLVE TO:

 

ON T.V.: A NEWSROOM - MORNING

Before a b.g with an image of a gigantic mud-puppy toppling the Space Needle (of which the caption reads "MUD-PUPPY TERROR IN THE NORTHWEST!") the Guy with the Ten-Pound Chin is seated at a desk.

CHIN GUY

Good Morning America! Here's more on the newest most horrible horror to ever horrify the U.S. of A! Early this morning, the Monster Mud-Puppy of Washington State disappeared into Lake Quinalt, high up in the Olympic National Park...

CUT TO:

 

ON T.V.: EXT. A SCENIC MOUNTAIN LAKE (SPFX) - DAWN

A long trailing mud-puppy tail is disappearing into the lake. Eco-hippies stand on the shore, CHEERING.

 

CUT TO:

 

ON T.V.: INT. THE NEWSROOM - MORNING

Now the b.g. image is the American flag. An electric-guitar version of the "NATIONAL ANTHEM" is playing o.s.

CHIN GUY

Meanwhile, the National Guard has been experiencing severe setbacks...

CUT TO:

 

ON T.V.: EXT. THE NATIONAL GUARD PARKING LOT - MORNING

Col. Frick is standing in front of one of the sabotaged vehicles. Its hood is up.

Col. Frick, unaware that he is being filmed, kicks the tire of the vehicle. A series of BLEEPS! censors him.

FRICK

[BLEEP!]... [BLEEP!]... [BLEEP!]...

The Guy with the Ten-Pound Chin enters the frame with his microphone.

CHIN GUY

Col. Frick! Col. Frick! What has happened here? What evil has been cast?

FRICK

(spinning toward his interviewer)

What evil? I'll tell you what evil! Someone has sabotaged the US Government, that's what! Apparently, a top secret chemical was secretly injected into the crankcases of these vehicles sometime last night, and subsequently, the pistons in all engines welded themselves to the heads! We are momentarily disabled.

CHIN GUY

What will you do? What will we do?

 

FRICK

What will I do? I'll tell you what I will do! I am gonna get that guy... because I know who he is. There's only one man with enough gall to have done this, and that's the Eco-Sneaker... and to him I say this...

(pointing his finger straight at camera)

I know who you are! That's right punk! I'm on your ass! I've got your number! I'm gonna ring your bell! You're looking at life in prison, sucker! And I'm gonna gitchya! You [BLEEP!]ing --

CUT TO:

 

INT. CAL'S TRAILER - MORNING

Cal and Fern are under the covers humping away. The covers are going up and down. The t.v. is on.

FRICK'S VOICE ON TELEVISION (V.O.)

-- [BLEEP!]... you [BLEEP!] [BLEEP!]... and so is your [BLEEP!]... [BLEEP!]ing [BLEEP!]y... [BLEEP!BLEEP!BLEEP!]... [BLEEP!] my [BLEEP!]...

CUT TO:

 

EXT. THE PARKING LOT - MORNING

The Guy with the Ten-Pound Chin (now on location, not on t.v.) is still interviewing Frick. Frick's face is all red and huffy-puffy.

TEN-POUND CHIN

And how do you intend to stop this new and unusual National Threat, Col. Frick?

FRICK

What do I intend to do? I'll tell you what I intend to do! As soon as we get rolling, we're gonna head on up to Lake Quinalt and fry that thing alive! That's right!

(pointing finger toward camera again)

You listen to me you [BLEEP!]ing mud-puppy! You're mine! Understand!? I'm talking torpedoes! Depth charges! Radar devices! High-tech weapons! Air support! The safety of our country depends on it!...

 

A SERIES OF SHOTS

Each shot lasts less than a second.

CU of Frick's mad eyes, CU of Baudelaire's mad eyes, CU of Frick's mad eyes.

 

CUT TO:

Continued


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