THE
SCHOOL OF LIFE
I no longer ask why one man
puts a tin bucket over his head
while another is content
to beat it with a spoon.
The rattling,
that once unerved me
like school marm's
chalky fingernails,
has become life's music.
How I dreaded the people
to approach me
in a newly purchased pail,
held precariously in place
by the chin-strap-handle,
as they tried to make eye contact
from under its shadowy visor.
Their voices hollow echos
between thin walls.
I used to pity these people,
thinking, how difficult it must be
to sleep with one's face pressed
against a metal sheet,
the nightmares
of waking up in hailstorms.
But now I always carry a spoon,
just in case I get the chance,
to clang their tin buckets,
like a tardy bell.
A BRIEF HISTORY OF JAZZ
Long ago--
man
beat his cranium
with
a stone,
so loudly!
his
neighbor hit (the cave wall)
with
leg bone of a saber tooth tiger to:
shut!
him! up!
These two sounds,
combined--
with
the chattering of their wives--
was
it.
FLORENCE
It is a tragedy to see a waitress
get goosed at a roadside cafe,
to watch a greasy hand
as it stretches out from under
the tablecloth
like a seedy strip of highway,
to snap the tender flesh
hidden under the polyester
of a woman old enough
to be his mother. Listen,
to her squeal like a rusty wheel,
as her face turns red
as the vinyl tablecloth.
To wait for a slap, a curse,
or an evil eye fixed like a knife
upon his sheepish gaze,
only to watch her bring him
bacon and eggs,
and refill his coffee cup,
her lashes blinking
like a neon OPEN sign,
as I sit huddled in my booth,
nursing a warm beer,
as if it came from a nipple.
BACK TO NATURE
Trees congregate
like street punks,
branches of mohawks
line the horizon
tattooed
with clouds of cigarette smoke.
At night,
birds beg for change
and the moon's a nickel
a business man
drops in a hat
to avoid
making eye contact.
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